While not unique to MicroTonic, this feature is surprisingly rare in virtual drum machines and sequencers. Then there's the MIDI drag button, which enables you to drag the current sequence out of the interface and directly into your sequencer as MIDI. When active, twiddling a control on one drum module will adjust that parameter on all unmuted modules by the same amount. The Edit All function is another one that seems obvious when you think about it. As some of the sounds can vary wildly with accent, this makes a lot of sense. There's also a great option that let's you play any drum sound up and down the keyboard in pitched fashion, making it a tasty bass synth.Īnother lovely touch is the Alt+click function, for auditioning an accented drum on the trigger pads. You can disregard the sequencer entirely if you like, using MT3 purely as a sound module. Up to 12 patterns can be stored and arranged in one preset, and you can chain them together to create multi-part patterns. The sequencer can send MIDI data, enabling you to control other virtual instruments.Ī new feature is the matrix grid, which lets you view all eight drum parts at the same time - this is most welcome. The steps can represent values of eighth, 16th or 32nd-notes, with triplet values for the first two. There's a familiar step sequencer, with buttons for step, accent and fill. There's real appeal here for producers looking for an alternative to sample packs and Roland drum machine emulations. You have to know what you're doing to be able to dial in a particular type of drum sound, but it's worth persevering with the software because you only have to learn the synthesis controls once and you're off. Pretty much any type of electronic drum/cymbal sound can be created with MicroTonic.
#SONIC CHARGE FIND MY REGISTRATION KEY GENERATOR#
The output of the oscillator and noise generator are mixed (you can set the balance), after which you can apply EQ and distortion.
0 kommentar(er)
